Tuesday, January 8, 2019

Martin Parr - "most of what I take is crap"

In a short but inspirational video, (go to it HERE) Martin Parr dispenses some solid advice to an unnamed group of students. Parr talks about the need for passion and obsession, how there is no place to hide in photography. The need to build connections with a subject. Finding ones voice and a unique visual language. Learning from others mistakes.

Parr notes that most things that happen in the world we miss. He reveals that most of what he takes is crap, (fuck, I thought it was only me). And that you have to take a lot of crap pictures to trawl through in order to get to something half decent. Then you have to learn to know the difference between the crap and the good. Pictures he says have to be powerful enough so that they can work on their own.

Finally, Parr talks of the creative demise of photographers who used to be great but half got lazy and fall back on past achievements. He doesn't mention names. Mmmmmm let's think...

If you have 6 minutes to spare watch this video, it will either cheer you up or send you into a deep funk.

You can go to Martin Parr's website HERE.

Martin Parr is a chronicler of our age. In the face of the constantly growing flood of images released by the media, his photographs offer us the opportunity to see the world from his unique perspective. At first glance, his photographs seem exaggerated or even grotesque. The motifs he chooses are strange, the colours are garish and the perspectives are unusual. Parr’s term for the overwhelming power of published images is “propaganda”. He counters this propaganda with his own chosen weapons: criticism, seduction and humour. As a result, his photographs are original and entertaining, accessible and understandable. But at the same time they show us in a penetrating way how we live, how we present ourselves to others, and what we value. Leisure, consumption and communication are the concepts that this British photographer has been researching for several decades now on his worldwide travels. In the process, he examines national characteristics and international phenomena to find out how valid they are as symbols that will help future generations to understand our cultural peculiarities. Parr enables us to see things that have seemed familiar to us in a completely new way. In this way he creates his own image of society, which allows us to combine an analysis of the visible signs of globalisation with unusual visual experiences. In his photos, Parr juxtaposes specific images with universal ones without resolving the contradictions. Individual characteristics are accepted and eccentricities are treasured. The themes Parr selects and his inimitable treatment of them set him apart as a photographer whose work involves the creation of extensive series. Part of his unusual strategy is to present and publish the same photos in the context of art photography, in exhibitions and in art books, as well as in the related fields of advertising and journalism. In this way, he transcends the traditional separation of the different types of photography. Thanks to this integrative approach, as well as his style and his choice of themes, he has long served as a model for the younger generation of photographers. Martin Parr sensitises our subconscious – and once we’ve seen his photographs, we keep on discovering these images over and over again in our daily lives and recognising ourselves within them. The humour in these photographs makes us laugh at ourselves, with a sense of recognition and release. Thomas Weski

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