|Le baiser de l'hôtel de ville, 1950|
In 1950 he created his most recognizable work for Life - Le baiser de l'hôtel de ville (Kiss by the Hôtel de Ville), a photo of a couple kissing in the busy streets of Paris, which became an internationally recognised symbol of young love in Paris. The identity of the couple remained a mystery until 1992.
Jean and Denise Lavergne erroneously believed themselves to be the couple in The Kiss, and when Doisneau met them for lunch in the 1980s he "did not want to shatter their dream" so he said nothing. This resulted in them taking him to court for "taking their picture without their knowledge", because under French law an individual owns the rights to their own likeness. The court action forced Doisneau to reveal that he posed the shot using Françoise Delbart and Jacques Carteaud, lovers whom he had just seen kissing but had not initially photographed because of his natural reserve, but he approached them and asked if they would repeat le baiser. He won the court case against the Lavergnes.
The couple in Le baiser were Françoise Delbart, and Jacques Carteaud, 23, both aspiring actors. In 2005 Françoise Bornet (née Delbart) stated that "He told us we were charming, and asked if we could kiss again for the camera. We didn't mind. We were used to kissing. We were doing it all the time then, it was delicious. Monsieur Doisneau was adorable, very low key, very relaxed." They posed at the Place de la Concorde, the Rue de Rivoli and finally the Hôtel de Ville. The photograph was published in the 12 June 1950, issue of Life. The relationship between Delbart and Carteaud only lasted for nine months. Delbart continued her acting career, but Carteaud gave up acting to become a wine producer.
|Les Tueurs Melomanes (The Accordionist) 1953|
|Tableau de Wagner dans la vitrine de la galerie Romi, rue de Seine, 1948|