|Wim Wenders, Joshua and John (behind), Odessa, Texas 1983|
Wenders regards his photographic work, in the truest sense of the word, as an interaction of light (phos) and painting (graphein), offering the scope for capturing a unique moment in time.
Wenders started with black-and-white photographs, and later switched to colour photography. In doing so, his interest in photography blended with his passion for painting. Wenders, who initially applied to study at the Academy of Art Düsseldorf without success and in 1967 finally started to study at the then newly-founded College for Television and Film in Munich, discovered the significance of colours for his work: He began to initially “see” a picture for its colours and to define the image section according to the colours.
What I firmly wanted to be, was a painter.
And when pictures really impressed and influenced me,
they were by Vermeer and Rembrandt,
Dutch landscape painters,
later, Klee and Kandinsky and Beckmann,
later still, Edward Hopper and others.
As the filmmaker, which is what I became after some detours,
and also as photographer,
I owe infinitely more to the history of painting
than to the history of film or photography.
Perhaps this is why I want to achieve something with my pictures
that is actually rooted in painting.
You can go to the Museum Kunstpalast site HERE.