Monday, April 4, 2016

Seydou Keïta at the Grand Palais, Paris


Just opened at the Grand Palais and running until July 11 is a survey exhibition of Mali photographer Seydou Keïta. The photographs come from the collection of Jean Pigozzi.

Curator André Magnin talks about Seydou Keïta:
I have to say that my true passion for photography was born when I met Seydou Keïta in Bamako in 1991. That year I attended the inauguration of the exhibition “Africa Explores: 20th Century African Art” organized by Susan Vogel at the Center for African Art in New York.  This exhibition mixed classical, traditional, modern, contemporary, and pop art and also showed some old photographs.  Some were credited “anonymous photographer, Bamako, Mali, 1950s, 1955…”  Jean Pigozzi, who discovered them in this exhibition, found them remarkable and faxed the catalogue images to me. I had enough experience in Africa then to affirm that, if the anonymous photographer of these portraits was still alive, I would know how to find him. So, I left for Bamako alone (as I do for all my travels) equipped with photocopies of three portraits reproduced from the New York exhibition’s catalogue. It was my first trip to Mali. A little after my arrival, I met Thairou, who became my loyal accomplice.  He drove me to a photographer known to all of Bamako, Malick Sidibé, whose only occupation then was repairing cameras.  Without the least bit of hesitation, he identified the photographer behind these portraits: “That’s Keïta’s! He’s still here, at Bamako-Coura, behind the central prison.”

And it was there, in his plot, that Seydou Keïta received me:  “You travelled all those kilometers for this?”  Retired since 1977, he couldn’t imagine that thirty years after having closed his studio, one would come from far away drawn by the beauty of his photographs.  He remembered the time when he was still practicing this craft:  “It’s been a long time since I’ve been done with that, but, you can see, I really love photography, all my archives are here, in this blue trunk.”  Seydou appeared to me like a reserved, quiet, serious man, but, also, thoughtful, respectful and appreciative. I spent whole days examining, one by one, the thousands of negatives accumulated since the opening of his studio in 1948 until 1962, when he became the official photographer for the first Malian socialist government.  

Paris based André Magnin is a specialist in contemporary African Art,  you can go to his website MAGNIN-A HERE

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